The First Bát Tràng Museum by national artist vũ thắng
Menu
The First Bát Tràng Museum by
national artist vũ thắng
Menu

The Village Festival of Bát Tràng

In every country, traditional craft villages are more than just sites of artisanal heritage — they are living expressions of a nation’s cultural richness and diversity. However, under the pressure of historical changes and modern development, many once-renowned craft villages have faded, and with them, the intangible traditions they once held.

Nestled on the left bank of the Red River, Bát Tràng is a nearly 700-year-old village that has remarkably preserved its ancestral ceramic craft. Beyond its thriving pottery heritage, the annual Bát Tràng Village Festival — held in the second lunar month — remains a vibrant cultural event, blending village traditions, community faith, and local architecture.

*

This article and its visuals were exclusively produced by Bat Trang Museum.
Unauthorized use is not permitted.

*

Text by Lỗ Hữu Đức AnhHà Tuấn Minh
Photos by Lỗ Hữu Đức AnhVũ Quốc HuyVũ Khánh Tùng

Alongside the continued flourishing of the ceramic craft, the annual Bát Tràng Village Festival—held each year in the second lunar month—stands out as a vibrant celebration that harmoniously weaves together village traditions, communal beliefs, and local architectural heritage.

The Bát Tràng Festival honors both the founder who taught ceramics to the villagers and the tutelary deities credited with establishing the village. Celebrated from the 14th to 16th day of the lunar month, the festival features solemn rituals alongside festive games, preserving ancient Red River Delta customs.

Key ceremonies include the Water Procession and the Bathing of Ancestral Tablets. Unique to Bát Tràng is the “Tam Sinh” Procession, in which a symbolic offering of three animals — a young buffalo, a goat, and a piglet — is paraded. According to artisan Nguyễn Văn Hưng, the inclusion of a whole buffalo in the ritual traces back to an imperial decree from King Tự Đức, who bestowed upon the village the honorary words “Hiếu – Nghĩa – Cấp – Công” (Filial Piety – Righteousness – Readiness – Service), now inscribed and preserved in the village communal house.

On the final day, these offerings are respectfully distributed among villagers as communal blessings. As the procession winds through the streets, each household displays a ceremonial tray to honor the village’s founding ancestors.

“To hold a procession with a full sacrificial buffalo, there had to be royal permission,” shared artisan Nguyễn Văn Hưng of Bát Tràng. “In the past, the people of Bát Tràng rendered great service and were granted the four royal characters ‘Hiếu – Nghĩa – Cấp – Công’ (Filial Piety – Righteousness – Readiness – Service) by Emperor Tự Đức. These words are still displayed in the village communal house today, and since then, Bát Tràng villagers have been allowed to carry out the sacred Buffalo Procession.”

Traditional folk games such as human chess and ceremonial singing continue throughout the festival, drawing villagers and visitors alike.

Beyond its renowned ceramic craft [1] and impressive historical architecture [2], Bát Tràng is also celebrated for its distinctive local cuisine—another reason why visitors flock to the village each year for the spring festival. The Bát Tràng ceremonial feast is more than a traditional meal; it’s a culinary experience that reflects the refinement and hospitality of the village’s people. Though the dishes themselves are familiar to the Red River Delta—such as bánh chưng (sticky rice cake), boiled chicken, mung bean sticky rice, sweet mung bean paste, and dried pork skin soup—they are meticulously arranged and prepared by renowned village cooks, turning everyday ingredients into a feast of rare allure.

What sets Bát Tràng’s feast apart are two unique dishes: bamboo shoot soup with dried squid, and stir-fried kohlrabi (a cabbage-stem vegetable) with squid—both of which have earned a legendary reputation in local culinary storytelling. During the festival’s final day, hundreds of these feast trays are laid out to welcome guests, extending from the communal house to the Mother Goddess temple, lining the Red River’s bank for over half a kilometer. It is a spectacular scene, offering visitors a rare multi-sensory journey into the spirit of the village.

According to the village elders, this traditional festival dates back to the very founding of Bát Tràng pottery village. Despite the passage of generations and changing times, its rituals have remained remarkably intact, embedded deeply in the villagers’ collective memory. Attending the festival today feels like stepping into a multi-dimensional cultural experience—one that fosters bonds between people, honors ancestral legacy, and reaffirms spiritual connections amid a rapidly changing society.

 

*

[1] Recognized for its cultural significance, the Bát Tràng pottery craft was inscribed into Vietnam’s National Intangible Cultural Heritage list by the Ministry of Culture, Sports and Tourism under Decision No. 4610/QĐ-BVHTTDL, dated December 20, 2019.
[2] Bát Tràng preserves numerous important historical and religious monuments, including the Văn Chỉ (Confucian temple), Đình (communal house), Chùa (pagoda), Đền (temple), and Miếu (shrine). These sites house imperial decrees, ancestral steles, and traditional calligraphic panels, reflecting the area’s deep-rooted scholarly and spiritual heritage. Among them are nine notable sites such as Tiêu Giao Pagoda, Giang Cao Communal House, Bản Shrine, Bát Tràng Communal House, Mẫu Temple, Kim Trúc Pagoda, and the Bát Tràng Văn Chỉ.

*

This article and its visuals were exclusively produced by Bat Trang Museum.
Unauthorized use is not permitted.

If you want to keep track on what’s happening here from time to time.

Xin hãy giữ liên lạc để nhận những thông tin mới nhất từ Bát Tràng Museum.